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Carole Duff's avatar

A heavy blanket of fatigue wrapped around me as I read into the evening. We’d spent the afternoon running errands, so my weariness did not surprise. But then came the head and body aches. At 8 o’clock, Keith asked, “Do you want to watch a movie or something before bedtime?” “No, I think I’ll just go to bed,” I said. One of our errands that afternoon had been to the pharmacy to get vaccinated for flu and shingles—to lessen the physical risk. The nurse who administered the shots told us the usual reactions: soreness and “meh” feeling for a day or so. People over sixty-five like us get stronger doses, she said. Since 911-worthy allergic reactions tend to be similar—swelling of face and throat, difficulty breathing, fast heartbeat, dizziness—I didn’t bother reading the information sheets until the following morning. Then, in addition to fatigue, muscle pain, and headache, I ticked off shivering, fever, and stomach upset that had troubled me overnight. This will pass. In the meantime, what are my choices? Wallow in self-pity or get on with the day. I got out of bed, let the dogs out, turned on the coffee, and did one little thing then the next then the next. By evening, other than residual soreness in my arm, I was back on track. This experience got me thinking about the emotional risk that writers take. These days, posting anything open to comments can stir up virulent reactions or incite a pile-on, nasty retweet, and sharing with added venom. But not all reactions are negative; some provide helpful feedback. And without feedback, I would probably produce work that was “meh.” As with vaccinations, risking negative feedback is worth the possibility of sore feelings. So, every day, I get out of bed, let the dogs out, turn on the coffee, and write one thing then the next then the next.

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Karen Egee's avatar

Risk was one of the board games my older brother and I played on weekend mornings while my parents slept, setting it up on his bed, he at the head me at the foot, the board between us, the box with pieces against the wall.

When I woke up I would knock twice on my wall, our shared wall, and he would knock twice back. Then I would pad into his room in my feet pajamas and we’d set up the game.

I didn’t really understand Risk. I didn’t get taking over countries or what the little wooden colored cubes represented. But I did love the sound of gently shaking a few of those perfect cubes in my cupped hands. And I followed my brother’s directions well. Somehow we played OK in spite of me not getting it.

My brother lives only four miles away now, 60 years later, but I rarely see him. He says he’s just not very social. Maybe I should risk it, drive over to his house, stand outside, and knock twice on his door. I imagine him opening the door, remembering, smiling, us dusting off the old Risk board, setting out the little cubes.

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